Exploring US 377

Delta 100

I have been doing a series of day drives over the past few months.  Take the 4x5 and some black and white film and do a day drive along US 377.  This is the road that runs southwest out of Fort Worth.  It quickly gets one away from town and into some rolling hills.  There are some remnants of the prairie here as well as many ranches, farms, rivers and other tidbits of Americana.

Each morning I would leave home early, usually by 0530 so I could be out someplace for sunrise.  Being on location early is not as important in black and white photography as it is in color, but old habits die hard.

HP5+

My general plan for these type of days is to select a sunrise spot, spend daybreak and the golden hour there and then just drive looking for subjects.  Side road here, Farm to Market road there.  The only commonality was being generally along US 377.  From Fort Worth to Stephenville I pass by some limestone hills, the Brazos River, the Paluxy River, and many off the beaten path places.

I am in no hurry.

In normal times I would make it to a good BBQ or Taco stand around noon.  There are not normal times......

I pack a lunch.

I drive and photograph.  I stop no places with people.  I am socially distanced.
On my first of these day drives I took Ilford Delta 100 and Fujichrome Velvia.  After finishing the Delta 100 I went with a box of Ilford HP5+, a film I have never used before.  Over the course of three or four drives I finished up the Delta and one box of HP5+. 

Delta 100

Since I do not develop my own film and I cannot "read" a negative, I send off all my black and white film to DR5 Chrome.  They process black and white negative film into a positive chrome.  I get a an image that looks great on a light table and scans well.  The images you see here the ones they processed.

As a landscape photographer I am generally looking for natural landscapes.  That led me to a spot along the Brazos River and it led me to spots along the Paluxy River too.  I also was looking for trees.  Somehow that was something of a theme with these drives.  I know a few lone trees and I found a few more.  With the ranching country in the area I can occasionally find them among a field of grass.  In particular a good live oak out alone makes an interesting subject.  You see a few of them here.

Then there are also the old bridges, churches and ranches.  I occasionally make stops in places like that as they seem to make good monochrome subjects.

Each day I was out was a little different.  I had rain, cloudy, clear, windy, and a mix of the above.  I would have my morning location and then drive and look.  And look.  I drove some roads I know and also some roads I have never been on.  A side road here or there always looping back toward US 377.  Each day was different although I did visit a couple of places twice hoping for different light.

Here are a few images from the day.

HP5+

Bluffs Along the River

A favorite subject for me locally as a photographer are the rivers that run across North Texas.  The Red, Trinity and Brazos Rivers (plus their tributaries) give me some good natural areas to photograph.

This is a spot on a all but unknown little river that feeds into the Brazos.  I wade down the river to find locations to photograph.  I chase fall color here and I even photograph the Milky Way from here(although not with the 4x5).

On an clear winter morning, I left home in the dark and took both my large format kit as well as my Sony A7R.  I was hoping I might get a glimpse of the stars and moon to photograph with the high ISO capable digital and then as the light came up switch over to film for landscapes.

The pack was pretty heavy since I had my full 4x5 kit, a digital camera and two tripods.  I had my hip-waders on and had to make my way through a wooded area to reach the river.  Then wade down the river in the dark.  BTW, I never suggest people do things like this.  I know this river and with a rocky bed I have been to many times in the daylight I am comfortable wading it in the dark.  Water levels were low and only a couple of areas were more than knee deep.

Standing there in the water feeling the cold water pull past your legs in the dark while looking at the stars is something I call fun.

I only got in a few night images before darkness turned to blue hour and daylight.  I set up the 4x5 on a shallow ledge and went to work to get an image of the moon hanging over the river.

I had both Velvia 50 (color transparency film) as well as some Ilford Delta 100 (black and white negative film).  I was trying to shoot both films to gain more comfort with black and white.  I really think of myself as a much more natural color photographer.  However when Fuji announced the end of Quickloads I knew I would need to learn to load film holders, so I started using black and white to do some things differently.  I also loaded up a fridge with Quickloads.

As we sit here in 2020 I still have several boxes of them left.  On the other hand, the Efke 25 black and white film I had first taken too also got discontinued.  Now I am trying out Ilford and seeing if Delta 100 might become my new monochrome choice.


After photographing both a color and black and white shot, I moved up onto a dry ledge by the bluff and set up a second shot.  Again , I shot both films.

I have to send off my films to be processed.  Color E-6 goes to one lab and the black and white goes up to DR5 Chrome which sends me back a black and white chrome (positive).  I can then look at all my images on the light table.  I find it much easier and intuitive to work with positives rather than negatives.

Looking at them on the light table I like the river shot better in color and up on the ledge better in black and white.

As we get into summer I am thinking about going back and working this area again.  I have a new Rollei film to try and wonder what I might get here.

Old Rock Church

The Old Rock Church near Cranfill's Gap is one of my favorite places to photograph in north Texas.  It sits alone outside town on a small rise.  There are no powerlines.  It is a neat old church.

It makes a great photograph.

It is a place my friends and I will visit several times a year to photograph.

Here is one of our warm weather trips we made.  

Our usual plan is to get there at dawn and photograph it at sunrise.  However, when you have good clouds, then mid morning becomes great for working in B+W with large format film.

This was one of those mornings.  Nice clouds moving by with some bright blue sky showing through.

Set up the camera to frame the church and the sky.  Because it is out alone, it is usually quiet here unless they are setting it up for a wedding (which people do here sometimes).

This old church is a perfect spot to bring the big camera, take your time and explore.

It is just as neat on the inside, although I always get my best shots outside with some sky in them.

Spring Sky

Spring time in Texas means four things: Wind, Bluebonnets, Thunderstorms, and Tornados. Luckily the last one is still the rarest.  Now for the photographer it also usually means clouds. 

Last spring, I went out with a pack full of gear to a local park to see what kind of flowers I might find.  It was past bluebonnet season but I still had hopes for some.  What I was really treated to was some great clouds moving across the sky at sunrise.

So I shifted gears from flowers to clouds and set up this image. of the hills in the park with the great morning light.  In the early soft light I photographed the softer colors of the sky, the moon, and a trail running through the park.  After a couple of images and the light warmed up, I switched over to a black and white shot to capture the scene in monochrome.

The different look each one has is great although I like them both at the the same time.  One of the things I do notice on looking at the results is the wonderful colors and glow that Velvia has.  There is always colors in the early mooring and classic Velvia 50 always impresses me.

I miss that film.

The Chisos from Desert Mountain Overlook

My most visited viewpoint in Big Bend is the Desert Mountain Overlook.  I stop here every day as this is the closest view to where I camp at Cottonwood.  It also has a several possible compositions in different directions.  It has a great view east to the Chisos that is good for sunrise as well as sunset.  Across the road are a couple of views west and south along the Rio Grande and the Sierra Ponce.  Those varied possibilities make it always a place worth checking out.  

It also has a good view of the entire sky.  Meaning when I leave the campground every morning, I always drive here in the dark.  With a clear view of the sky I can judge what the clouds are and use that to help me decide my morning location.

There are several great possibilities within a 15 minute drive so by stopping here I can judge the light and then pick the best of several possible locations.  Sometimes that means driving a little, other times it means staying put.

This was an afternoon and it was a chance to photograph clouds over the Chisos in the afternoon light.  Again, that afternoon light offers a view with the Chisos front lit.  Add in some big sky clouds and you have a great shot.

This is very different from the morning view here with the back lit peaks that truly earn the name "Ghost Mountains". 

With the clouds like they were I went with both color and b+w, figuring each might be good.  The color was ok, but honestly the wider view I was able to make with my DSLR at 17mm was better.  However the b+w image had something the digital did not.

Here is that shot on Efke 25 with DR-5 processing.

Tule Mountain

One of the unique mountains on the west side of Big Bend National Park is Tule Mountain. It is a solitary flat topped peak near the west entrance to the park at Maverick.  Geologists will tell you that it is related to the Burro Mesa which is just east of it and that faulting and blocking caused the space between the two to fall.

The result is a peak that stands alone and makes a great subject for the camera.

After spending the middle part of the day west of the national park along the river in Big Bend Ranch State Park, I stopped near Tule in the afternoon to try an image.

Being the afternoon and having another location for sunset, I decided to just do a black and white image of Tule.

The view is looking south, so I put on a polarizer to see if it would help the clouds pop slightly.  I also used the orange filter to see if that might help darken the sky a little.

Otherwise, it was simply metering and adjusting the exposure for the two filters.

Here is the result on Efke 25 with the DR-5 process for a b+w chrome.

I made two exposures to allow for a little safety in case I was off and then it was pack up and go for a sunset location.

Clear Sky Morning at Santa Elena

I made a second morning stop at Santa Elena Canyon a few days after my first visit.  It was a completely clear sky day.  This morning I decided to photography from a different vantage point to the south and downstream of the canyon and see if I could get the light on the canyon walls.

As soon as the light started to come up I began to make images.  When the pink predawn light of a clear sky is in the west before sunrise I was able to get this image.  Velvia capturing the softness and delicate color in the sky.

I photographed on through the sunrise and I had hoped the orange light of the first rays of the sun would be stunning, the final results on film lacked the qualities of this image here.

That sometimes unknown is one of those fantastic things about photography, you have to try and then see what works.
 

Santa Elena Canyon

Santa Elena Canyon is my favorite location in Big Bend National Park.  It is a location I visit every trip.  If you follow my WildernessPhotographer blog you have seen many entries about this amazing location.

After witnessing a spectacular sunrise where I did not even try to use the 4x5, I set up my tripod and the Arca-Swiss and decided to work with black and white.

The amazing light show of the sunrise not only ended but the clouds were rapidly fleeing the sky.  Some shadows were still sliding across the canyon and I hoped that monochrome was the way to.

I worked on two compositions.

First thith the canon centered and then with the canyon left and the the bulk of the Mesa de Anguila as the main subject.

Luckily the few clouds were making just the right amount of shadow and light.  I worked with Efke 25 and then had it processed by DR-5.

These are the best two.

The Chisos Mountains

The Chisos Mountains rising out of the desert in Big Bend National Park.  The Chisos are a small compact range of mountains that are in the middle of the park.  From the river elevations of around 2000' they reach heights of 7800'.  

Mountains like this are known as a "sky island".  The desert is hot, gets little rain, and has limited plant/animal life.  The mountains provide cooler temps, gets more rain (the mountain helps generate the rain), and has significantly more plants and animals.  The desert is harsh, the Chisos has pines, aspen, and bears.  It is an island in a desert sea-hence the name "sky island".

I love the view of the Chisos rising out of the desert and usually hope to find some images that can show them for a backdrop of a desert scene.  On an afternoon of exploring on was on western side of the mountains and some clouds were starting to build in the sky.  I thought it would be a good chance to photograph the Chisos in black and white.  I found a location with a good view, however I had limited foreground and since I was west of the park, I was limited by a fence from searching for the right element.

Working with what I had, I set up the tripod and framed the view to take in the clouds with the Chisos anchoring the bottom of the frame.

I used Efke 25 that I had processed in DR-5 to a chrome.

On the Way to the Chisos

Heading into Big Bend National Park, I always make a lot of stops for photographs.  The view here is big and scenic.  I always hope for decent clouds, good light, and a chance to make an image.  

Having a combo of light and clouds it was a great day to take my time and do some large format work as I made my way toward the Chisos.  It was mid morning and I was making it a relaxing drive of frequent stops.  It is roughly 30 miles from the north entrance to the park headquarters at the base of the Chisos.  I think it took me almost 3 hours to make that drive with all the frequent stops I made and especially if I thought there was a good spot for the 4x5.

Here was one of those spots.  I could see this rock pile from the road and carried my gear out with the hopes of making a good image of the desert floor and distant Chisos.

At first I was going to put the pock pile in the image but as I scouted the area with my digital camera it seemed the better image was from the top of the rocks, so it was there I set up the tripod and worked this image.

The shot is on Astia 100 and this box has not aged well.  When I got my film developed, all the Asita looked bad and my Velvia looked great.  This is pretty much what the chrome looks like.  I could probably work it more in Photoshop but decided to leave it as is.

I spent about 30 minutes here and the sun was already warm-and it was early February.  I packed up and headed down the road.

Desert Arroyo

In February of this year, I had the opportunity to head to Big Bend National Park in west Texas.  Big Bend is a park of superlatives that is frankly one of the five best national parks for the landscape photographer.  This is big empty country and the end of the road.  

I arrived at the north entrance to the park one morning and began the long drive to the Chisos.  The light was interesting.  Not great, but it had potential for both photography and for using large format film.  I crossed a dry desert arroyo the was leading toward the Rosillos Mountains and thought it might be worthy of an image.  I snapped a few quick pics and decided to give it a go on color film.

I set up the camera wondering how long it can take for this gully to fill when it flash floods here in the desert.  There was a nearby sign that said the road bridge across this gully had been taken by the flood waters more than once.  That would be some powerful moving water.

I decided to go with the longer 210mm lens to compress the distance to the mountains slightly.  210mm is not very "long" but it is realistically as long a lens as I need.


I framed up the arroyo with the Rosillos Mountains in the upper corner and used Velvia 100.

One image in the bag.  With luck I would have the opportunity to make several more on this trip.

Urban Wilds

Finding landscape images in town can be a challenge.  The urban setting most people live in keeps getting bigger and finding nature and specifically nature you can photograph and just get the nature part of is tougher.  Luckily it is still there if you know where to look.  

I know of several good local parks where I have found views and scenes that lack the trapping of modern society and I can just photograph nature.  Here is one of my locations in Trinity Park.  Right across the river from downtown Fort Worth is a great urban park that follows the river for a ways.  Much of the park is set up for the "modern" visitor with playgrounds and picnic tables, but there is also some areas where the tress grow thick and small streams run through them.

Here is a view that is right off of the bike path where it crosses one of those small streams.  It is a great view and I set it up specifically to photograph the creek in black and white.

Taken with the 75mm lens and Efke 25 processed in DR-5.

Great Falls of the Clear Fork

The Great Falls of the Clear Fork of the Trinity River in Fort Worth, Texas.

Texas is not known for waterfalls.  We have some historic and some very scenic rivers but the Trinity River is not one people seek out like the Rio Grande, Pedernales, Guadalupe or some of the others.  The Clear Fork is not a very long river either.  Running through only two counties and is about 50 miles long from its headwaters to where it joins with the West Fork in downtown Fort Worth.

It is a small river.  It is also in my backyard (literally) and I often walk, bike and photograph along it.

This waterfall is on the river close to where I live and I visit this spot a regular basis.

I like finding such a neat spot in town and close to home.  Over the last decade I have photographed in a variety of light, seasons, and conditions.

Here is a time I was wading in the river as some nice rain had put a nice flow over the rocks and making it a potentially good image.  I set up the camera and photographed it in both color and B+W.

Here is the monochrome version which better captures the scene this day.

I need to revisit this scene again as the new view here now has a bridge crossing the river only a few yards behind the falls.  My nice scene that might be mistaken for someplace wild will now be firmly pulled into the city.

Rock Ledges of the Clear Fork

Rock ledges of the Clear Fork of the Trinity River in Fort Worth, Texas.

It was a clear morning one day and even though the conditions were less than idea for color photography, I decided to take the camera and walk along the Clear Fork near my home.

The rock ledges have always intrigued me and I often spend a sunrise or sunset with my camera.  With mostly clear sky I decided to concentrate more on the details of the ledge, water, and some of the early morning light reflecting there.

 The river had a decent flow and I waded along the shallow ledges until I found a good set up.  I made the shot on Velvia and then with the tripod securely not going anywhere, I walked upsteam some and made the image of the camera in the water. 

The Clear Fork of the Trinity River

The Clear Fork of the Trinity River is a small river by almost any standard.  It forms in Parker County, just west of Fort Worth and runs southeast into Tarrant County, where it turns northeast and runs to downtown and joins with the West Fork.  All told 40-50 miles or so.

It is the river I live along and one I do like to photograph.  Usually I walk or bike along the length of it looking for photographs.  I also will drive out into Parker County and look for vantage points of the river.  Usually that means finding roads that cross the river as it is all on private property here.

This is one such location I can see from a bridge.  Luckily this is a unbusy side road that lets me safely visit early in the morning and make images.

On this spring or early summer morning I was able to set up my camera and work with with greens and the river to make this image with black and white Efke 25 film.  

I like the forest view here.  The river is young and not really much more than a stream.  

It makes me wonder what the view is like around the bend.

Catching the 8:05

I was out photographing the prairies here around Fort Worth one morning.  I had parked near a railroad track and was photographing a ranch road as it went across the prairie grasses.  After making my shot I packed up and put the large format camera back in the SUV.

Then I heard the train.  I decided to see if I could get an image with the 4x5.  I knew the train was close, I had maybe 90 seconds to get set up.  Maybe.

I sprung into high gear.  Set the tripod back up.  Opened the camera pack and grabbed the Arca.  Racked it out.  Put on the 75mm.  Did a quick rough focus.  Leveled.  Put in some Efke 25 and used what I had metered before as my exposure.  Cocked the shutter and pulled the slide.  The engine was less than 100 yards away.  As it sped past I fired this image.

Speed and luck were with me this day.

The Arca made this possible as it is so easy to set up and use it can be done quick.  My buddy with a folding wooden field camera also tried setting up but got no where near ready.  

Gotta love the Arca!!

FWIW, I took the top image after the train had passed.  I was lucky to get set up so quick but had no time for the obligatory camera on tripod shot before.

West Fork Falls

Another view of the falls on the West Fork.  After taking the image in the last post I got in closer for more of a profile view of the falls.  I really wanted to compress the scene as best I could so I went with a bonus lens I have-the old Bausch and Lomb Rapid Rectilinear. 

This is 80+ years old that a buddy found and gave me.  The shutter only partially works.  It will not stop down, so you have to shoot wide open.  The speeds are inaccurate at best, but if you need a 2 second or four second exposure, those are easy to do by just counting. It is also a convertible lens, meaning I can remove one element to double the focal length.

So with on element removed this is about a 300mm lens which makes it my longest.  Now when I go this long that means I also have to have my extra rail and my standard sized bellows as my normal rail and the bag bellows I normally use are too short for this.

With the right set up I am able to bring in my view of the falls to make the water a center piece of my image and not just a small element.

The sky is overcast and I have no problem making it a long exposure to get it right.


One morning and two images/compositions in about 15 minutes.  You know in large format, that is a pretty good day!

Great Falls of the West Fork

The Great Falls of the West Fork of the Trinity River are a little visited spot in Fort Worth.  Hidden under steep bluff in an old park one can find this fantastic 10 foot river spanning waterfall.

It has been one of my favorite places to photograph over the last year.  This was a late winter day when the clouds were thick and I was not even sure if there would be a sunrise.  It seemed like a good day to take out the 4x5 and shoot some film.  

I arrived onsite early in the morning and started picking out a spot for the camera.  I framed up an image with the 210mm lens for a slightly longer than normal view.  Put on my 2 stop grad ND filter to allow for the sky.  Took a meter reading.  It would be a long shot, factor in reciprocity and it was roughly a minute in the dim light.

Decided to go with color and grabbed some Velvia 100F.

Made the image.

Then did a longer exposure with Efke 25 B+W film.

Several weeks went by until the the film was processed.  After looking at them both, I decided the color version, as muted as it was, made the better image.

Fog and Rain

Here is a day we had fog and rain in north Texas and I was west of Cowtown out in Palo Pinto County.  I like doing this drive as it is an interesting place of winding roads, some hills and valleys, some neat views, and you are highly unlikely to run into other photographers interested in the same subject.

This was a large format day when there were several of us with our 4x5 cameras and we had driven west in the dark, stopped for some Dublin DP, and gotten here in the early gloom of a rainy day.  

I like days like this, it is ideal for moody black and white and being in the green of summer, it was the order of the day.

I waited out some rain as it seemed to vary in intensity.  Set up and went into focus mode.  Ended up covering the camera with my jacket once when it picked up a little and then finally got my shot ready.  Efke 25 was the film.  DR-5 was the processing so I could get a chrome.  Scanned it and tweaked for contrast in Photoshop.

One of those good days.  I think I ended up with 3 or 4 nice images that day.  Also, if memory recalls we made it down to Granbury for fried chicken, and that was pretty good too!

El Cap and the Guads

El Capitan rises from the deserts of west Texas in dramatic fashion.  The sheer end of the Guadalupe Mountains is a sight to see and a frequent subject of my cameras.  I find the views varied and all of them superb   I often wonder why other photographers do not make the trek to photograph this park.  Then I remember, its here in Texas and for some reason people think all the good parks are in California or Utah.

Too bad for them.  Great for me.

On a fine fall afternoon, I arrived south of El Cap by one of my favorite roadside views of the mountains to find that fall rains had brought on some wildflowers and I instantly knew I had my image for the day.

Set up low.  Go wide to take it all in.  Use a grad filter to hold back the sky.  Stop down to f/45. Wait for the wind to slow enough to hopefully get the flowers sharp.  Then wait four weeks to see if you got the image.  You gotta love large format.

I mostly got the shot.  Trying not to blow out the yellow in the flowers it does get kinda dark in the shadows, but as Galen Rowell always said-expose for the most important highlight.